Paul Carter's journey as an artist began in 1997 at the National College of Art & Design, Dublin, where he immersed himself in the interplay of painting and photography. This early exploration laid the foundation for his artistic vision, a dialogue between the tangible and the ephemeral. A pivotal period followed, working closely with the renowned sculptor Michael Warren. This immersive experience profoundly shaped his understanding of space and place, imbuing him with a deep appreciation for the subtle interplay of light, form, and the human experience within the natural and built environments.
Carter's artistic exploration continued with a Masters in Virtual Realities at NCAD in 2004-06, expanding his understanding of space beyond the physical realm. This period culminated in his inaugural solo exhibition, "Space and Place," a poignant reflection on the Acropolis in Athens, where he unveiled a series of photographs and captivating light installations informed by Ancient Greek light theatre. This exhibition marked a significant milestone, with his work subsequently representing Ireland in "Céad in China," with exhibitions in Shanghai and Beijing. As noted in the 2006 publication "Reflections" by the Office of Public Works, "Paul Carter's 'Temple of Hephaistos' demonstrates the exciting possibilities of lens-based art at the present time." (Patrick J. Murphy, HRHA, Art Advisor OPW). Further accolades followed, including an exhibition in the prestigious Éisge Festival in Carlow as an invited artist.
In a remarkable shift, Carter dedicated his energies to nurturing the next generation of artists. After co-founding the Gorey School of Art in Wexford in 2003, a vibrant hub for artistic expression, Carter went on to lead its development as Director in 2011 to the present day. He spearheaded the development of Periphery Space, an innovative initiative providing support and mentorship to fellow artists across the Southeast region of Ireland. His vision extended further, securing funding to establish a state-of-the-art facility, a testament to his commitment to fostering a thriving artistic community. Recognising the importance of inclusivity, he established a dedicated department to support learners from disadvantaged backgrounds and those with disabilities, ensuring that the arts remain accessible to all.
Following a decade-long hiatus from his personal artistic practice, Carter's return to making work was catalysed by the profound loss of a dear friend and fellow creative, John "Bonzo" Byrne. Bonzo's passing served as both a moment of deep reflection and a powerful reminder of the fragility and preciousness of creative expression. This pivotal experience reignited Carter's own artistic voice, prompting him to once again engage with the materials and concepts that had long defined his practice, while bringing new depth and urgency to his exploration of memory, loss, and the enduring power of human connection.